They first came to light when Wolfgang was about three years old, and Leopold, proud of Wolfgang's achievements, gave him intensive musical training, including instruction in clavier, violin, and organ. Leopold gave up composing when his son's outstanding musical talents became evident. He was deputy kapellmeister to the court orchestra of the Archbishop of Salzburg, and a prolific and successful composer of instrumental music. His influential textbook, Versuch einer gründlichen Violinschule, was published in 1756, the year of Mozart's birth (English, as A Treatise on the Fundamental Principles of Violin Playing, transl. Mozart's father, Leopold (1719–1787), was one of Europe's leading musical teachers. Mozart's father, Leopold, announced the birth of his son in a letter to the publisher Johann Jakob Lotter with the words "…the boy is called Joannes Chrysostomus, Wolfgang, Gottlieb." Mozart himself preferred the third name, and he also took a fancy to "Amadeus" over the years. Of these names, the first two refer to John Chrysostom, one of the Church Fathers, and they were names not employed in everyday life, while the fourth, meaning "beloved of God," was variously translated in Mozart's lifetime as Amadeus (Latin), Gottlieb (German), and Amadé (French). The baptismal record gives his name in Latinized form as Joannes Chrysostomus Wolfgangus Theophilus Mozart. Mozart was baptized the day after his birth at St. His only sibling who survived beyond infancy was an older sister: Maria Anna, nicknamed Nannerl. Mozart was born to Leopold and Anna Maria Pertl Mozart, in the front room of nine Getreidegasse in Salzburg, the capital of the sovereign Archbishopric of Salzburg, in what is now Austria, then part of the Holy Roman Empire. Mozart's birthplace at Getreidegasse 9, Salzburg, Austria The great facility and ease with which Mozart fused music to mood was perhaps his most important contribution to music. He was, in some respects, the first modern psychologist of opera, a master of creating mood, drama, and atmosphere in his operatic works. Equipped with these new musical devices, Mozart could explore the depths of the human psyche in ways that were revolutionary for their time. Particularly in his operas, he created moments of tension followed by cathartic release by exploiting the polarization of the consonant and dissonant intervals within these two chords, and also by the shifting of key centers. This style, known as homophonic music, is characterized by a single melodic idea accompanied by a chordal underpinning, as opposed the countrapuntal conventions of the Baroque, in which multiple melodies are woven into a singular musical expression.Ī significant way that Mozart would heighten the drama of a musical line was by his masterly manipulation of the tonic-dominant chord progression. Bach and the composers of the Baroque style, whose music was highly polyphonic and steeped in religious connotations, Mozart’s music is marked by an uncomplicated texture that would become a defining trait of the “Classical” era. The young Mozart toured as a child and won the patronage of both nobility and clergy in his native Austria. A legendary child prodigy, Mozart is among the most enduringly popular of European composers, and many of his works are part of the standard concert repertoire. His enormous output of more than six hundred compositions includes works that are widely acknowledged as pinnacles of symphonic, chamber, piano, operatic, and choral music. Wolfgang Amadeus Mozart (baptized as Johannes Chrysostomus Wolfgangus Theophilus Mozart) (Janu– December 5, 1791) was a prolific and celebrated composer of Classical music. Salzburg, Austria (then part of the Holy Roman Empire)
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